Places To Go ... People To Meet
Damian Lewis is an Old Etonian who plays an American war
hero in Spielberg's latest epic, and dreams of being the next James Bond. Emily
Bearn meets the young contender.
Sunday Telegraph September 30 2001
When he eventually arrives, Lewis looks calm, robust and fairly confident of the fact that he is one of the swifter-ascending stars of the small screen. He is dressed in jeans and a slightly grubby grey shirt; his orange hair is damp or fashionably slicked, and his freckles suggest he has been in the sun. He is 30, but has the sort of pleasant, negotiable looks that mean he could pass himself off as a decade older or younger. After Lewis has dispatched Michael into the Manchester drizzle to buy him bananas, we retire to a suite in which the bed has been replaced by a table bearing yet more croissants. Lewis eats two, with the rapacity of a man who has missed breakfast, pausing between bites to explain the etymology of marmalade.
We are here to discuss Band of Brothers, an American Second
World War drama in which Lewis plays Major Dick Winters, the hero who led an
élite US Army corps as it parachuted into France on D-Day. The ten-part series
(which swallowed a budget of about £86 million and will be screened by the BBC
this week) was produced by Steven Spielberg and Tom Hanks and has been attacked
for -- as one British tabloid put it -- casting an "unashamedly American
slant on the Second World War."
Lewis -- who, oddly, is cast as an American -- disagrees.
"It's good television, and I think there's also a good history lesson in
there," he says. "The British might not get much attention, but then
nor do the French." One Briton who does get some attention is Lewis
himself: his name sails high on the credits, and the series has gained him a
Hollywood agent and publicist and a puff in Talk magazine. His career is now
set to continue snowballing, following a recent hand-shaking tour of important
film folk in Los Angeles. "I was coerced into having a publicist, but I
don't have my own attorney," he says. "Hollywood's fantastic, but I
take it fairly unseriously. It's all about self-promotion, which I suppose is
what I'm doing now." Though not averse to publicity, he does not seem
hungry for it. "At first I was fascinated by how I looked in photographs,
but publicity soon becomes just a necessary tool."
It certainly may be necessary if Lewis is to fulfill his
less modest ambitions. He says he'd like to co-star with Cate Blanchett and
Julia Roberts and wouldn't mind being rich. He'd like a four-storey house in
Primrose Hill, not to mention somewhere in the country. "When I'm going to
sleep at night I sometimes think of being paid $30 million a movie or being the
next James Bond. Who," he asks, clasping his second banana, "would be
your next James Bond? Or is that a really annoying question?"
The son of a London re-insurance broker, Lewis says his acting career was launched at his prep school in Sussex where, aged 12, he won a prize for his performance as Bottom in A Midsummer Night's Dream. ("They were my halcyon days.") By the time he left he had "squawked" his way through five Gilbert and Sullivan productions, and at Eton he won much applause for his performance as Mr. Squeers in Nicholas Nickleby. His prowess on stage was not matched in the classroom, in which he says he "always came last." After leaving school he enrolled at the Guildhall School of Music and Drama, since when his acting credits have steadily swelled. He has starred in six television dramas -- among them Poirot (1989), Warriors (1999), and Hearts and Bones (2000); an unmemorable Miramax production of Robinson Crusoe (1996), in which he co-starred with Pierce Brosnan; four radio plays; any number of productions with the Birmingham Repertory and the Royal Shakespeare Company, not to mention three audio cassettes. He also briefly alighted on Broadway in 1995, when he played Laertes to Ralph Fiennes's Hamlet in Jonathan Kent's Almeida Theatre touring production. Such is the volume of his fan mail that he says he now replies only to letters that come with a stamped addressed envelope.
By now we have been talking for 45 minutes, and Lewis is already an hour and three-quarters late for his next journalist, a gentleman from Time Out. I ask him whether he could ever see himself as a fully fledged Hollywood star: the house in Bel Air, the personal attorney, the lot. Lewis pauses for a moment, contemplating his semi-peeled banana. "The short answer," he says, "is yes."
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